Richard Allen
Benjamin Banneker
Henry Bibb
Virginia Broughton
Frederick Douglass
Benjamin Banneker
William Wells Brown
Martin Delany
Olaudah Equiano
James Forten
William Lloyd Garrison
Angelina Weld Grimké
Briton Hammon
Jupiter Hammon
Frances Ellen Harper Watkins
Josiah Henson
Harriet Ann Jacobs
Absalom Jones
Jarena Lee
Peter Randolph
David Ruggles
Venture Smith
Maria W. Stewart
Lucy Terry
Sojourner Truth
Daniel Webster
Phillis Wheatley
William Whipper
This era spans the period of the first documented arrival of enslaved Africans to the colonies in 1619 to the end of the Civil War. This period evidences the contributions of African Americans to American literature, especially to the genres of romanticism and gothic literature, and the formations of literary traditions that are the unique products of African American culture. When conducting literary criticism of the period, it is necessary to consider that literacy in general was extremely limited; most people's literacy skills were based in Biblical instruction, public education was not widespread, and teaching an enslaved person to read or write was illegal in many states. Important topics in literature include the influences of African heritage and efforts to define American values. Many of the major issues in literary analysis of this time are still relevant today, such as debates about authenticity in African American literature and marketing African American authors to mainstream audiences.
African American English is the culturally distinct elements of African American speakers of American English. This language variety or vernacular has its roots in the languages predominantly spoken by enslaved Africans brought to the United States. It continues to function as a distinct form of cultural communication today. As knowledge of the English language was severely restricted by social proximity for enslaved and free Black people, command of standard English served as a strong indicator of an African American's status. Representation of African Americans' speech is a strongly contested and essential subject in African American American literary criticism.
Slave narratives are stories by or about enslaved people's experiences living under slavery. These can be fictional or nonfiction. Many of these were published in parts by abolitionist perioidcals before their full release in book form. While some of these are valuable primary sources, others were heavily edited or fictionalized to function as abolitionist propaganda. Early narratives use violence to evidence the moral wrongs of slavery. Neo-slave narratives focus on the psychological trauma of enslavement. A factor which contributes to these stories rhetorical strength is their ability to reformat the genre of captivity narratives by American colonists to compare conditions of bondage and enslavement in a defining era of democratic principles. Themes of explorations of the meanings of slavery and freedom feature prominently.
African diaspora
Africanism
literacy
oral tradition
sociolinguistics
abolitionist writings
authentication
captivity narratives
neo-slave narrative