Johari Amini
Maya Angelou
Russell Atkins
Amiri Baraka
Kingsley Bass
Ed Bullins
Ben Caldwell
Stokely Carmichael
Jayne Cortez
Sam Cornish
Harold Cruse
Margaret Danner
Doris Davenport
Angela Davis
Ralph Ellison
Mari Evans
Sarah Webster Fabio
Hoyt W. Fuller
Nathan Hare
Robert Hayden
Gil Scott-Heron
John Oliver Killens
Etheridge Knight
Haki R. Madhubuti
Larry Neal
Askia Touré
Quincy Troupe
Richard Wright
Frank Yerby
Sometimes referred to as the Second Reconstruction, the 1950s and 1960s was an era of dramatic social change. Ushered in by the experiences of WW2 and the post-war boom, African-Americans saw these decades as an era in which to re-assert their rights and share in increasing prosperity. The autobiographies of many activists draw upon the narrative structure of war memoirs to appeal to a wider contemporary audience and depict their experiences as brave people fighting for just causes. Modern scholars also raise the issue of dealing with racism as analogous to a form of psychological combat. Some more militant authors lean towards the manifesto as a symbol of asserting their identities and refusing to compromise with injustice. The cultural institutions which support political organizing generate further study on the role of religious community in African-American life. Both in legal matters and literature, there is a strong emphasis on Plessy vs. Ferguson and the 14th Amendment, as debates about "equal protection", "due process", and "separate but equal" shape the time period. Minority groups throughout the country make efforts towards recognition and equality under the law, which are formative events in defining the ideals of civil rights and civil liberties.
Civil Rights literatures are writings about movements for civil rights and civil liberties in the United States. More commonly, it is considered to be narratives of the Civil Rights movement for African Americans during the period of the 1940s to 1960s; culminating in the passage of the Civil Rights Act of 1965 and shocked by the assassinations of Martin Luther King, Jr. and Malcolm X. This literature is grounded in religious theology, legal theory, and sociology. Historians and politicians position these two leaders in a hero/ antihero framework, despite some of their shared goals and positions. Together they contend with the rhetoric of segregation laws, the separatist trends of social activist movements, and competing definitions of liberation. As their activism is overshadowed by historical focus on male leadership, women's autobiography of their experiences during these movements becomes a powerful tool for communicating a feminist perspective.
As declared by Larry Neal in his 1968 essay 'The Black Arts Movement', the Black Arts Movement is the artistic and cultural output of the Black Power Movement. It seeks to embody the 'Black is Beautiful' expression of racial pride. Its confrontational style and purpose use militant rhetoric and aesthetic, especially the manifesto. Women also use the genre as an outlet for their activism that receives less attention than their male counterparts. Inspired by the artistic and creative production of the Harlem Renaissance in its ability to create distinctly African-American art, the Black Arts Movement similarly makes skillful use of poetry and theater. This era later becomes influential on the spoken word genre/ Also drawing upon the protest poster culture of the Black Power Movement, it creates a creative space in visual art as well.
Black Liberation Theology
ethos
nonviolent direct action
prison literature
war memoir
art manifesto
Black Aesthetic
Black Power
literary nationalism
Marxism